Welcome to the world of the Brothers Grimm
Located in the centre of the city of Kassel and the heart of Germany, the GRIMMWELT Kassel is firmly established as the world’s largest and most modern exhibition devoted to the life and work of the Brothers Grimm.
The GRIMMWELT Kassel presents the fascinating life and work of Jacob und Wilhelm Grimm, the famous linguists and collectors of fairy tales, in an experience-oriented, surprising, innovative and accessible way. It is an intriguing combination of historic objects, modern works of art and interactive installations and a space which encourages discovery, learning by research and active experience.
Discover and experience the interactive exhibition
The exhibition structure is like a glossary. Words from the Grimms’ “German Dictionary” guide visitors through a total of 25 thematic sections, where they can discover topics from Ä for ÄRSCHLEIN (Little arse) to Z for ZETTEL (Slip of paper). The GRIMMWELT’s interactive exhibition formats and historic items make it a place for learning by discovery and active, hands-on experience.
The permanent exhibition “Fabulous from A to Z”, with a floor area of 1,300 m² on two levels, presents the multi-facetted works of Jacob and Wilhelm Grimm and gives fascinating insights into their social and political lives. Works by younger brother Ludwig Emil Grimm, who was a painter, draughtsman and the family’s chronicler, provide additional insights.
With its exhibition areas arranged in form of a narrative, the GRIMMWELT is a departure from conventional historical, chronological presentation formats, and its spatial narrative structure offers visitors a wide and varied range of references and associations. This structure reflects the Brothers’ modus operandi; they conducted their research through collecting and ordering—sometimes boldly leaving gaps when material was lacking—while constantly opening up new areas. The GRIMMWELT continues to apply these principles with regular special exhibitions on a further 300 m² of exhibition space, shows additional facets of the Grimm universe and engages with current developments and debates.
Fabulous from A to Z
Modern technical exhibition facilities are used to the full in the wide variety of presentations in this area, which shows the Grimms’ fairy tales in an exciting, vivid light and encourages hands-on participation: in this fairy-tale world, young and old can sit down at the Seven Dwarves’ table, be eaten by Little Red Riding Hood’s grandmother alias the Big Bad Wolf, or talk to the enchanted mirror in the DORNENHECKE (Hedge of thorns), surrounded by hordes of fabulous KLEINWESEN (Little creatures) that emerge from a slit in the “Storybomb” created by the artists Lutz & Guggisberg. There is plenty of new material to discover and experience. How does Rumpelstiltskin sound in Spanish or Japanese, for instance?
The World of Words
The Brothers Grimm’s extensive linguistic research is portrayed by the second thematic focus: the World of Words. In the area “Deutsches
Wörterbuch” (“German Dictionary”, also known simply as “The Grimm” ), visitors are informed about numerous details of how this monumental work was created. Begun in 1838, it was to occupy the Grimms themselves—and many others—for the rest of their lives. Together with a large network of contributors, Jacob and Wilhelm got as far as the letter F. The work was not completed until 1961, after 123 years of work: it consists of 33 volumes, 67,744 text columns, around 320,000 keywords, and weighs about 84 kg in total. Revision of the dictionary began as soon as it was completed, followed eventually by its digitalisation. FROTEUFEL (Demon), the last entry that was completely processed by Jacob before his death, presents the long story of how the “German Dictionary” was created as the ”biography of a book”. It is narrated in an artistic work, consisting of 14 dioramas, by Alexej Tchernyi. The picture boxes are artistically crafted from paper, which is backlit for maximum effect.
The ZETTEL (Slip of paper) area focuses on the Grimms’ network, showing who the brothers’ contacts were and how they collaborated with them in their scientific research. Among the outstanding exhibits on show are Jacob Grimm’s scissors—an indispensable tool for an academic compiler of scraps of paper—and a large inkpot containing the quantity of ink that the Grimms are statistically calculated to have used in their lifetime.
The Insult machine in the ÄRSCHLEIN (Little arse) area of the World of Words bridges many of the gaps between the Grimms’ time and our own, and children are particularly enthusiastic about the vitality of language: every modern-day expletive they shout into the funnel is answered by a swearword from the Grimm era.
UNESCO Memory of the World
The exhibition’s treasure chamber contains valuable original objects, such as the first editions of the “Children’s and Household Tales”. Jacob and Wilhelm Grimm’s personal working copies, with their hand-written notes from 1812/1815, were added to UNESCO’s “Memory of the World” in 2005. These copies with extra-wide margins were used particularly by Wilhelm Grimm to correct and edit the first versions, delete passages containing indelicate or obscene terms, and generally make the Tales more educational and suitable for children.
The GRIMMWELT: where knowledge comes to life.
The GRIMMWELT Kassel presents language, fairy tales and biographies in a way that is attractive for all age groups. The GRIMMWELT collaborates with artists, art and media teachers, cultural establishments and social institutions to provide vivid, imaginative connections between then and now.
Individual and public guided tours, workshops, school holiday programmes and a wide variety of other events enable visitors to delve even deeper into the Grimms’ fascinating life and work. Explore the exhibition under your own steam with an app—either as an audio guide or a media and reading guide—also available in numerous foreign languages and barrier-free. Young visitors can follow a trail of discovery and quiz questions—the “World Tour”—around the world of language and fairy tales, during which they will learn many new things about the two famous collectors of fairy tales.
The GRIMMWELT also presents a digital programme which is as innovative as it is accessible. The event series “Grimm’s Fairy-Tale Hour” has been expanded and given a more international format—not least because telling fairy tales is a global tradition. Arabian Tales of 1001 Nights, Jewish fairy tales, Bedouin stories and many more can be enjoyed as live readings or directly in the comfort of your own home via digital media.
Whether it is a fairy tale podcast, an informative YouTube film or the audio walk “7 in one blow”—there is a wide range of digital formats that offer many possible ways to explore the world of the Brothers Grimm.
At the end of 2015, the “Guardian” newspaper in England selected the GRIMMWELT as one of the world’s ten “best new museums”. The online poll by architecture magazine “German Architects” crowned the GRIMMWELT “Building of the Year 2015”, and in 2015, Condé Nast Traveler acclaims the GRIMMWELT as one of the “10 Biggest Museum Openings of the Year”.
The GRIMMWELT received the “German Brand Award 2016” and the polis Award 2016 for Urban and Architectural Development in the category “Liveable Open Spaces”. This was followed in autumn 2016 by a commendation for the German Urban Development Prize for the Weinberg site and the successful integration of the GRIMMWELT. Under the heading “Best Summer Trips 2016” section, National Geographic Magazine wrote: “Kassel, home of the new GRIMMWELT museum, is known as the capital of the German Fairy Tale Route”.
In January 2017, the GRIMMWELT received tourism association GrimmHeimat NordHessen’s Tourism Prize 2017. That same year, the GRIMMWELT received The Marketing Clubs North Hesse’s 12th North Hesse Marketing Prize, as well as a “Special Mention” as an employer brand under the heading “Excellence in Brand Strategy, Management and Creation” in the context of the “German Brand Award 2017”.
In May 2020, the GRIMMWELT’s most successful special exhibition to date—“FINSTERWALD” (“Into the Dark Woods”)—won the Art Directors Club for Germany (ADC) Gold Award in the category “Topic-Related Exhibition Experience: Exhibition”; in November 2019, the GRIMMWELT won bronze in the category “Spaces” of the German Designer Club’s “Good Design 2019” competition.
GRIMMWELT Kassel | The GRIMMWELT has already received several awards for its special architecture, but also as one of the ten best new museums (The Guardian).
© GRIMMWELT Kassel | Foto: Nikolaus Frank
GRIMMWELT Kassel
© GRIMMWELT Kassel | Foto Nikolaus Frank
GRIMMWELT Kassel
© GRIMMWELT Kassel | Foto: Harry Soremski
GRIMMWELT Kassel
© GRIMMWELT Kassel | Foto: Jan Bitter
A major attraction in northern Hesse, the home of the Brothers Grimm.
© GRIMMWELT Kassel | Foto: Nikolaus Frank
World of Words | View of the permanent presentation and its book-shaped architecture.
© GRIMMWELT Kassel | Foto: Nikolaus Frank
Random Reading | The German Dictionary | With 444 deliveries, the ‘Typosophist’ and documenta artist Ecke Bonk has created a monument to the German Dictionary of the Brothers Grimm: 123 years of work for around 300,000 keywords in 33 volumes.
© GRIMMWELT Kassel | Foto: Sascha Mannel
Immerse yourself in the paper world of the Grimms | The history of the creation of the German dictionary in 14 scenes by Alexej Tchernyi.
© GRIMMWELT Kassel | Foto: Nikolaus Frank
Inkwell | A vivid illustration of all the ink the Brothers Grimm used for their life's work.
© GRIMMWELT Kassel | Foto: Nikolaus Frank
Treasure chamber of the Children's and Household Tales | UNESCO Memory of the World and treasure chamber of presentation: The original editions of the Grimm fairy tales with handwritten notes by Jacob and Wilhelm Grimm.
© GRIMMWELT Kassel | Foto: Nikolaus Frank
Insult machine | Swap swear words with the Grimms: For every swear word used today, there is one from the Grimm era.
© GRIMMWELT Kassel | Foto: Nikolaus Frank
At Grandmother's bedside | In Grandmother's cabin, the wolf waits for Little Red Riding Hood - and other brave visitors.
© GRIMMWELT Kassel | Foto: Nikolaus Frank
Sleeping Beauty's Hedge | Here the voices of the forest resound and lead the visitor into the labyrinth of Sleeping Beauty's Hedge.
© GRIMMWELT Kassel | Foto: Sascha Mannel
Fairy tale books | Grimm's fairy tales are represented in over 160 languages and dialects on every continent today. After the Luther Bible, they are the most widespread and most widely read book in German cultural history.
© GRIMMWELT Kassel | Foto: Sascha Mannel
Little creatures | Countless small creatures pour out of the fairy-tale bomb by Lutz & Guggisberg.
© GRIMMWELT Kassel | Foto: Nikolaus Frank
Witch's house | Hansel and Gretel meet the witch in the gingerbread house.
© GRIMMWELT Kassel | Foto: Nikolaus Frank
Life career | The (auto)biographical part of the exhibition - Jacob and Wilhelm Grimm repeatedly wrote down the stages of their lives and had themselves portrayed again and again..
© GRIMMWELT Kassel | Foto: Sascha Mannel
Quince | Eight fairy tales in which food plays an important role have been incorporated into Antoni Miralda's artwork ‘Banquet Table Tales’. A fairytale-like abundance of food was by no means a matter of course in Grimm's time.
© GRIMMWELT Kassel | Foto: Sascha Mannel
HOLZWURZEL | The Chinese artist Ai Weiwei created this work of art for the GRIMM WORLD. Jacob and Wilhelm Grimm liked to refer to their research as ‘root research’.
© GRIMMWELT Kassel | Foto: Nikolaus Frank
The Brothers Grimm | The famous double portrait is by Ludwig Emil Grimm, the younger brother of the two fairy tale collectors.
© Grimm-Sammlung der Stadt Kassel, Graph_0043_II-3_03 | Doppelportrait der Brüder Grimm
The Brothers Grimm | Historical reproduction from around 1900 of the daguerreotype taken by Hermann Biow in 1847.
© Grimm-Sammlung der Stadt Kassel
UNESCO Memory of the World | Children's and Household Tales | Five first editions with numerous handwritten comments, annotations and additions.
© Grimm-Sammlung der Stadt Kassel | Rotkäppchen: 8°_Grimm_0079-1 Brüder Grimm Kinder- und Hausmärchen Handexemplare 1812